Sketches lie on the table and a pencil as if forgotten by chance, books, samples and experiments stand on the shelves. It seems that just recently someone was creating meanings and having active discussions right here.

Everything is alive, mobile, inviting to get acquainted with the different properties of glass: its fluidity, transparency, ability to refract light and transform under the influence of temperature. 

Here, glass becomes a medium in which life manifests itself, like water taking on an infinite variety of forms.

The semi-transparent canvases at the front allow the outlines of the far part of the stand

to be noticed, but do not allow it to be seen clearly, giving the opportunity to complete the

space with one's own imagination. The nature of glass, hidden in objects at the intersection of function

and art, merges with the plant nature of the flora present at the stand, while the diffused light invites

one to tactilely feel the textures and look inside the products and structures. 

Glass ceases to be just a material, becoming a full-fledged participant in shaping the environment, uniting the statement into a single whole. Immersion in the process of the craft technique of slumping, in which every object within the statement is created, holds a strong natural sensation that, through interaction with the space, its intimacy within, remains in the heart, shimmering. The atmosphere is filled with light and solitude in the refractions of light and glimmers, creating a sense of the material's movement and breath.

The three areas of the art laboratory's work — architecture, design, and art — reinforce each other, creating a stable, branched ecosystem, with the living dialogue between material and human becoming its core.